Tony n’ Tina’s Wedding
Opening Night: April 28, 2014
Closing: July 13, 2014
Theater: Jan Hus Playhouse
Audience members play the roles of Tony and Tina’s family and friends in this hilarious interactive comedy. Immediately following the nuptials, the bridal party will escort their family and friends through Times Square to Guy’s American Kitchen & Bar, where guests will celebrate with lovebirds Tony and Tina and members of their outrageous families.
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Brett
Epstein
April 28, 2014
It’s somewhat difficult to write a review for the revival of Tony N Tina’s Wedding (the original premiered in 1988 in Greenwich Village). It has no cast/creative team breakdown provided to its audience and 75 percent of the show occurs at Guy’s American Kitchen and Bar, where an energetic cast tries to get you to dance with them all evening. If you do attend, I’ll say this: have a drink or two or three beforehand, throw in the towel, participate, and go along for the ride with the cast. They really want you to have fun, and if you’re the grouch in the corner who doesn’t want to join in, you’ll stand out even more.
READ THE REVIEWApril 28, 2014
When you attend Tony n’ Tina’s Wedding, if you’re expecting a celebration of the joy, hope, and happiness that comes from a couple uniting in a lifelong commitment of love, fidelity, and marital bliss…Fuhgeddaboudit! In true New York fashion, the finest Italian stereotypes of Brooklyn, Staten Island, and the Bronx — the Nunzio and Vitale families — are inviting the world once again to take part in the not-so-solemn nuptials and oh-so-dysfunctional reception of Artificial Intelligence’s Tony n’ Tina’s Wedding, now playing at two venues in the Times Square area.
READ THE REVIEWApril 28, 2014
It’s tempting to review the new Tony n’ Tina’s Wedding in the style of a “Vows” column in The New York Times: “The bride, a dimwit with a promising future in reality TV, wore a tasteful white gown that contrasted sharply with her bridesmaids’ dresses, which appeared to be on loan from a mid-20th-century jiggle joint.” Or perhaps as a restaurant review parody: “Guy Fieri’s main dish, an indifferent pasta, was garnished with a sprinkling of near-fisticuffs and tangy mother-of-the-bride histrionics.” But those approaches might not allow for a proper spotlight on the best part of this adventure in lowbrow crowd-pleasing: the three-block promenade by the cast and audience through the heart of Times Square, a spectacle within the nonstop festival that is the theater district.
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