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November 17, 2022

Allow Juliet to reintroduce herself. Or rather, let Anne Hathaway do it for her. No, not the Oscar-winning actress known for “The Devil Wears Prada.” The Anne Hathaway I’m referring to is William…

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November 17, 2022

A diverting synthetic crossbreed of Moulin Rouge!Something Rotten!Mamma Mia! and Head Over Heels, this show delivers just what you’d expect. It is what it is: It gives you the hooks and it gets the ovations.

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New York Stage Review
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Melissa Rose
Bernardo

November 17, 2022

Mix the single-artist salute Mamma Mia! with the contempo-pop stylings of Moulin Rouge!; add a healthy dose of the Shakespeare-themed Something Rotten, and a sprinkle of the Renaissance-grrl-powered Six… and you’ve got some idea of what’s in store for you at & Juliet, the candy-colored glitter bomb of a show that just opened at the Stephen Sondheim Theatre.

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New York Stage Review
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Frank
Scheck

November 17, 2022

Book writer David West Read (Schitt’s Creek) somehow manages the difficult feat of weaving the goofiest of pop songs into the Elizabethan proceedings with almost sublime ingenuity.

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November 17, 2022

This sporadically fun musical from — where else! — Great Britain with a loony book by David West Read suggests this idea is somehow very feminist; that taking a dagger for your poisoned man is the ultimate failure of the Bechdel test.

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City Beat
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Brain Scott
Lipton

November 17, 2022

While there’s not a bad performance to be found, this slightly tricky material rests on the legs and shoulders of Courtney, a relative newcomer, who delivers both her spoken and musical material with complete assurance

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Entertainment Weekly
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Leah
Greenblatt

November 17, 2022

There’s something a little relentless about & Juliet‘s dogged eagerness to entertain, but nakedly joyful too: a violent delight, flipped for the TikTok era.

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November 17, 2022

This nonstop party-empowerment show gets its theme of feminist revisionist British history from “Six,” its Shakespearean humor from “Something Rotten,” its nonbinary savvy from “Head Over Heels,” and its collage-like spectacle from “Moulin Rouge.”

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November 17, 2022

Shakespeare’s Juliet singing Britney Spears’ “Oops…I Did It Again” is certainly a surprising and unexpected juxtaposition.  While there is every reason to be skeptical of a Shakespearean jukebox musical, “& Juliet” makes it work remarkably well. It’s the most fun you’ll have in a Broadway theater right now.

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November 17, 2022

It’s not that & Juliet is unenjoyable – it isn’t. Somewhere beneath the bombast and repetition and overwrought-from-minute-one approach is a sweet(ish) and smart(ish) tale that gives voice to the marginalized and, not incidentally, provides fans of the music of Britney Spears, Backstreet Boys, Katy Perry, Kesha, Demi Lovato, Ariana Grande, Bon Jovi, Celine Dion, Pink and Justin Timberlake a chance to hear their favorite songs in a musical that makes no secret of its identity: A jukebox takes early pride of place on the set.

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New York Theater
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Jonathan
Mandell

November 17, 2022

It also means that “& Juliet” is more accurately described, not as a sequel, but as a rewrite of “Romeo and Juliet,” though it is nothing close to that.

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November 17, 2022

The wit operates on many levels in the musical “& Juliet,” starring Lorna Courtney, at the Stephen Sondheim Theater in Manhattan.

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November 17, 2022

But in refusing to take itself deadly seriously reminds us that theatre doesn’t have to look a certain way or fulfill specific mandates to be worthwhile. Sometimes having a good time is enough―something that was acceptable for tired, old, businessmen, but that has been denied younger and queerer audiences for decades. 

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