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December 7, 2021

The new version, which opened on Tuesday, does feel smaller — its themes starker, its concession to fandom more blatant. But as directed by Tiffany and choreographed by Steven Hoggett, with an essential score from Imogen Heap, it remains diamond-sharp in its staging and dazzling in its visual imagination, as magical as any spell or potion.

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December 7, 2021

Despite its shrinking, Harry Potter and the Cursed Child has kept most of its charm. The spectacular set pieces of John Tiffany’s production remain—the staircase ballet, the underwater swimming scene, the gorgeous flying wraiths—but about a third of the former text has been excised.

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December 7, 2021

In any case, the immensely cheering if not altogether surprising news is that “Harry Potter and the Cursed Child” 2.0 (or do I mean “.5”?) is every bit as rewarding as the original version.

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December 7, 2021

The moment you walk into the Lyric Theatre the magic of the Potter world hugs you. Just as they have done in Universal Studios, with the flick of their wand, The Wizarding World of Harry Potter invites you to join them on a new expedition. The welcoming warm glow of faux candlelight, the gold-trimmed accents, and the glimmering Christmas tree, all work together to trick your senses. For a second, you forget that when you leave, your senses will be violated by the harsh lighting and grating score of Times Square, something to shock you back into muggle reality. Until then, the Lyric is your escape. 

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