READ THE REVIEWS:

November 20, 2016

In keeping with the dominant mood of New York City these days, the dance hall hostess known as Charity Hope Valentine has finally shed her middle name. As compellingly portrayed by Sutton Foster, in an archetype-shattering performance, the title character of the 1966 musical “Sweet Charity” has never before seemed so hopeless. Oh, sure, she’s still smiley and goofy and bouncy in the New Group production that opened on Sunday night at the Pershing Square Signature Center. She sings, she tap dances, she leads a fantasy parade in her own honor. But from the beginning of this willfully wan, small-scale revival, directed by Leigh Silverman, Charity seems plagued by a vague awareness that becoming a doormat for men was not a good career choice. And that no matter what course her life takes, men aren’t going to change and neither, God help her, is she.

READ THE REVIEW