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November 11, 2005

Even though you’ve been waiting for it, the first squawk is still a shocker. Stephen Temperley’s "Souvenir," the sweet but none-too-short love letter of a play that opened last night at the Lyceum Theater, is a portrait of a lady who became a legend for singing badly, after all. For her to make anything approaching a pretty sound would be blasphemy to the cultists who continue to worship at the shrine of the real woman named Florence Foster Jenkins (1868-1944).

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