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January 13, 2014

The Acting Company’s Rosencrantz and Guildenstern Are Dead plays in rep with Hamlet (naturally). However, it could just as soon be a companion piece for Waiting for Godot. In upgrading the melancholy Dane’s chums from bit players to protagonists with existential crises of their own almost 50 years ago, a young, astute Tom Stoppard built on existing plays while crafting one very much his own, as he demonstrated that fear of “not being” starts early in life.

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January 27, 2014

Plays in rep are all the rage this season. The Acting Company offers two plays performed on the exact same set (on the stage of the Pearl Theatre), with the exact same play worlds: Shakespeare’s Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. While the former is the bard’s tragedy of a moody Danish prince, the latter tells this story from the perspective of its two least important characters: Hamlet’s Wittenberg University pals, Rosencrantz and Guildenstern. It’s an ambitious pairing that offers a robust view of the play that many consider Shakespeare’s finest.

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Ny Post

January 27, 2014

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Entertainment Weekly

January 27, 2014

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January 21, 2014

Dear Rosencrantz. Gentle Guildenstern. The Prince of Denmark’s old school friends have been popping up around town in this Shakespeare-soaked season, though usually they stay in the background, onlookers and minor players amid the brooding and bloodshed of “Hamlet.”

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