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Charles
Isherwood

December 8, 2016

For a theatrical evening with a gloomy title, “The Dead, 1904,” based on the celebrated James Joyce story (absent the date, of course), makes for an unusually sparkling affair. Unless you glide among the upper echelons of New York society, you are not likely to attend a holiday gathering in a more sumptuous setting this season. This immersive theatrical adaptation of Joyce’s story is presented at the American Irish Historical Society, on a splendid stretch of Fifth Avenue near the Metropolitan Museum. (The Irish Repertory Theater production is presented by the society in association with Dot Dot Productions.) The building, originally a private residence from 1900, is a grand one. The rooms on the second floor, in which most of the action occurs, are lit by chandeliers that shed mellow golden light on intricately molded wood and plaster. (Perhaps grander than the rooms in the story, but who’s complaining?)

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