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March 17, 2015

The truths in the retelling of “Pinocchio” now at the New Victory Theater are more contemporary than we’re used to hearing. Bearing shadows truer to Carlo Collodi’s 19th-century tale than Walt Disney’s version, this family-friendly show, from the Windmill Theater and the State Theater Company of South Australia, manifests robust energy, visual flair and an aversion to modern-day phoniness. You know the story: The lonely toymaker Geppetto (a suitably burly and walrus-mustached Alirio Zavarce) carves a surrogate son out of an enchanted piece of wood. But once walking and talking, that boy, Pinocchio (Nathan O’Keefe), covets material things (like trendy shoes, not the Dutch-style wooden ones Geppetto gives him) and grows antsy at school. Miffed at Geppetto, he embarks for Playland, a trap for wayward children run by the perfidious Stromboli (a garish Paul Capsis). En route he meets the fluttering Cricket (a puppet imbued with morbid charisma by Jonathon Oxlade), as well as the cat Kitty Poo (Jude Henshall) and her friend Foxy (Mitchell Butel).

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