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April 9, 2012

You’d think a play about riots, race, rape, the late 1960s, murder and jazz would be explosive. That “My Occasion of Sin” is based on a real-life tragedy should only fan the flames. Instead this play by Monica Bauer about events in her hometown, Omaha, is preachy and slow, clunking with inconsistent characterization and force-fed symbolism.

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Backstage
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David
Sheward

March 21, 2012

Monica Bauer’s new drama "My Occasion of Sin" suffers from a bad case of split personality. There are two related narratives, one far more compelling than the other in both staging and structure, and the imbalance damages the play’s impact.

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Curtain Up
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Paulanne
Simmons

March 20, 2012

On June 24, 1969, an Omaha police officer fatally shot Vivian Strong, a 14-year-old black teenager, at the Logan Fontenelle Housing Project. The police had received a call about a break-in and were arresting a a suspect when Vivian and her friends went to see what had happened. A crowd immediately gathered, bottles were thrown at the police and businesses were firebombed. Over several days of rioting, there was looting, vandalism, injuries and arrests.

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March 22, 2012

Monica Bauer’s My Occasion of Sin, now at Urban Stages, is not bad as a first draft of a play, showing off the author’s passion for music as well as for the racial politics of her native Omaha, where she lived through tumultuous events nearly 45 years ago.

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Ny Theatre
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Pamela
Butler

March 20, 2012

My Occasion of Sin takes place in Omaha during the race riots of the late 1960s, and places us as witness to events in the lives of the characters portrayed here.

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