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July 9, 2010

Behold the mighty samurai, standing tall and vigilant, their hard faces fixed in forbidding scowls. Tremble as they draw their long swords and assume their martial positions. Watch as they stumble and fall, shouting at one another like forcibly separated school bullies, after having had their ankles tied to those of three other men. Observe them as, still solemn-faced, they join a ritualistic chorus line, dancing delightfully across the stage to what sounds like accordion tango music.

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July 9, 2010

The Japanese import "Musashi," which opened the Lincoln Center Festival last night, is inspired by a legendary 17th-century sword fight. Were this an American production — particularly a Western — you’d anticipate a long buildup of escalating tension, and the event itself would be a climactic confrontation.

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Mitch
Montgomery

July 8, 2010

When two rival samurai, Musashi Miyamoto and Kojiro Sasaki, met on the shores of Funashima in the 17th century, their climactic duel became a touchstone of Japanese legend. In history, the former emerged victorious, but in "Musashi," an upbeat revision of this legend penned by Hisashi Inoue, the warrior-philosopher of the title summons a doctor to tend to the wounded Kojiro. The remainder of the recently deceased Inoue’s narrative asks what might have happened if these two opponents ever crossed swords again.

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