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June 6, 2017

When Rebecca Hall is depressed, attention must be paid. In recent years, this British-American actress has become one of our foremost interpreters of the mood abject, bringing a stinging brightness to pitch-black corners of despair.

Consider her performance as the fate-flattened heroine of Sophie Treadwell’s “Machinal” on Broadway in 2014, or her even more harrowing portrait of the suicidal newscaster in the recent film “Christine.” In both cases — and in two mediums — Ms. Hall showed an uncanny gift for finding tonal variety in flatline feeling that made you watch raptly even when it hurt to do so.

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