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February 24, 2006

Tell me!" Seen in cold print, these may not look like two of the sexiest words in the English language. But as spoken, shouted and sung by Harry Connick Jr. and Kelli O’Hara in Kathleen Marshall’s delicious reinvention of "The Pajama Game," the 1954 musical that gave new meaning to labor-management relations, that simple little phrase transforms the private pleasures of pillow talk into a heady public celebration. And a little novelty number called "There Once Was a Man" becomes a rockabilly pelvis pumper that turns the thermostat way up on a show that has already been generating plenty of steam heat.

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