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January 10, 2013

As you watch “The Other Place,” a slick, potently acted drama by Sharr White that opened on Broadway on Thursday night at the Samuel J. Friedman Theater, it may strike you now and then that your mind is playing tricks on you. Facts that seem firmly established in one scene melt into vapor a few scenes later, leaving you with a vague itch to press pause to sort things out, or maybe rewind. Or both.

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Associated Press
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Mark
Kennedy

January 10, 2013

The first sign that things may not be what they seem in "The Other Place" appears on page 4 of Sharr White’s script: The whip-smart scientist at the story’s heart has confused the gender of a doctor treating her.

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January 10, 2013

I must confess that I didn’t bother to see Sharr White’s "The Other Place" when it premiered Off-Broadway two years ago, having heard mixed things about the play.

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January 10, 2013

Laurie Metcalf is no fool. The actress opted out of co-starring in the Broadway premiere of a new play by a leading American dramatist, choosing instead to stick with the uptown transfer of The Other Place, by the comparatively unheralded Sharr White. Even if the alternative, David Mamet’s The Anarchist, hadn’t turned out to be a short-lived dud, the decision would have been a smart one. In the role of a brittle biophysicist, terrified, angered and ultimately humbled by her own illness, Metcalf has found a vehicle that allows her tremendous gifts to blaze fiercely.

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Backstage
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Erik
Haagensen

January 10, 2013

Sharr White’s penetrating drama “The Other Place” was a highlight of the 2011 winter theatrical season when it played Off-Broadway at the Lucille Lortel Theatre. Now the MCC Theater show is on Broadway, courtesy of Manhattan Theatre Club, with half of its four-person cast new. Once again guided faultlessly by director Joe Mantello, the production has been expertly expanded to fill the larger space without sacrificing intimacy or nuance. Laurie Metcalf returns to offer her galvanizing portrayal of Dr. Juliana Smithton, a dementia specialist suddenly faced with the condition herself, and Metcalf’s shattering work has only gotten richer. Bold, unflinching, and ingeniously constructed, this is a show not to be missed.

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