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March 13, 2017

Jen Silverman, a rising playwright with a restless and fertile mind, has been tinkering in the “wild workshop” of the Brontë family. That phrase comes from Charlotte Brontë, who was referring to the creation of the novel Wuthering Heights by her sister Emily. But it could easily be applied to the brooding fictional universes forged by any of the writing sisters (Anne is the third) and the very real, isolated environment in which they lived and worked. That’s the storm-swept terrain into which Ms. Silverman has blithely ventured in The Moors, which opened on Monday night in an alternately intriguing and irritating production at the Duke on 42nd Street.

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