TAKE ME OUT Finds Loneliness In The Diamond — Review
Move over, baseball: As it turns out, the most American pastime is crippling loneliness. Or at least an excellent case is made by the excellent revival of Richard Greenberg’s Tony-winning Take Me Out, now enjoying a starry, limited run at the Hayes Theatre 20 years after its original premiere. Starring Jesse Williams as center field god whose untouchable aura comes hurtling down after he comes out, and Jesse Tyler Ferguson as his fragile gay accountant, this production pitches isolation as the trembling thing hiding behind everyone’s mask.
Keep Reading
‘Paradise Square’ Packs Valuable Lessons in Old-Fashioned, Familiar Wrapping
Ensembles of Black and immigrant communities sing about the difficulties of living in a changing America. A group of people stand in a triangle formation and protest. Black and white people compete against each other in a racially and politically charged dance contest. No this isn’t Ragtime, Les Mis, or Hairspray. It’s Paradise Square, a […]
Read MoreAn Evening Spent at Home Beats a Night at this “Plaza Suite”
What does it say about our society that Plaza Suite, the first Neil Simon play to return to Broadway in over 11 years, and the first since his death in 2018, is a middling affair buried in milquetoast acting with inept direction? During his heyday, Simon defined what Broadway comedy meant. Nicknamed “Doc,” for his […]
Read More