Review: Jodie Comer Makes ‘Prima Facie’ Broadway’s Most Powerful Show
She is a complex me, who Comer—in an astonishingly acted monolog—makes the center of a striking piece of theater directed by Justin Martin. In London earlier this month, Comer won the Olivier Award for Best Actress for her performance, while the play won Best New Play—and both must surely be Tony Award favorites here.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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