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November 14, 2013

The new musical “Little Miss Sunshine” opens with an emotional cloudburst. As the fractured family at the center of the show gathers for dinner, just about everyone has a grim comment to make on the state of existence.

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November 14, 2013

Not long into their misadventurous 500-mile journey from New Mexico to California, the squabbling members of the Hoover family are forced to disembark and push their malfunctioning van until it gets moving again. The cast of Little Miss Sunshine can surely relate; yet no matter how hard the actors push—sometimes too hard—their musical vehicle stays broken. “When you have very few expectations, things that were once enormous frustrations no longer are,” sings the hapless father, Richard (Swenson), in the first number. “The key to contentment is to lower the bar.”

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November 14, 2013

Designer Beowulf Boritt’s appropriate single set for Little Miss Sunshine is a map of Interstate 40, which snakes from the lip of the stage and wraps around the playing space to extend up over the audience’s heads. But this limp musical retread of the 2006 indie comedy about a dysfunctional family’s healing road trip refuses to take us on any kind of journey. Given that composer William Finn and writer-director James Lapine previously collaborated on such oddball delights as Falsettos and The 25th Annual Putnam County Spelling Bee, this stubbornly charmless show is a sad letdown.

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Newsday
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Linda
Winer

November 13, 2013

"Little Miss Sunshine," a family road movie involving an old VW bus, hardly screams out to be staged as a musical. But don’t tell composer/lyricist William Finn and writer/director James Lapine.

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Nbc New York
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Robert
Kahn

November 14, 2013

For a story with built-in urgency — the Hoover clan simply must make it the 800 miles from New Mexico to California in time for daughter Olive to compete in a pre-teen beauty contest — remarkably little feels at stake in the hotly anticipated new musical “Little Miss Sunshine,” which has just opened at Second Stage.

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