Review: ‘Grey House’ on Broadway is a creepy thriller from Chicago
I’m not sure those are the right initial expectations to raise, just as I am not convinced everyone around me at the matinee I saw understood what was going on, not least because Holloway wrote a much stranger play than anything typical of this genre and he refuses to pander. Good for him, and for Mantello for backing this young writer all the way, but I bet there will be plenty of question marks on the audience feedback surveys.
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One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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