Review: In ‘Good Night Oscar,’ Sean Hayes masters the role of maestro
Entering the Broadway production of “Good Night, Oscar,” I knew nothing about playwright Doug Wright’s titular figure, Oscar Levant, but I left caring for the crotchety old man as if he were my own family. Such is the magic of “Good Night, Oscar” and, specifically, actor Sean Hayes’ virtuosic turn as the accomplished Jewish pianist and talk show personality riddled with various mental illnesses.
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One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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