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January 22, 2015

There is roiling tumult amid the shadows in Damon Chua’s uneven but beautifully staged Film Chinois, at the Beckett Theater. In this Pan Asian Repertory production, an exercise in noir styling and political intrigue, identities can be fluid and motivations suspect. It is 1947 in Peking, suspended between World War II and the ascent of Mao Zedong’s Communists. Chinadoll (the company veteran Rosanne Ma) is a poised predator circling Randolph (Benjamin Jones), an American government operative masquerading as a tea trader. The Ambassador (Jean Brassard), a Belgian fluent in the city’s ways, dallies with the skittish Simone (Katie Lee Hill), a chanteuse pining for entree to the West. Playing a waiter, a gun-toting heavy and others, James Henry Doan hovers furtively. Randolph finds himself drawn into a search for a strip of celluloid and elusive twins who might explain an attempt on his life and the abduction of the Ambassador. Chinadoll’s loyalties, romantic and political, are uncertain.

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