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December 19, 2011

The clunker title isn’t the only nonworking part in “Close Up Space,” a new play by Molly Smith Metzler that opened Monday night at City Center. Aside from the appealing work of a cast led by David Hyde Pierce, playing a more dour variation on the dithery persona he perfected in his years as a star of the sitcom “Frasier,” this wan comedy about (yawn) the troubled relationship between a book editor and his daughter has little to recommend it. Unfortunately it is the second dud in a row from Manhattan Theater Club at its Off Broadway space, after Zoe Kazan’s similarly undercooked “We Live Here.”

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December 19, 2011

David Hyde Pierce and Rosie Perez star in Molly Smith Metzler’s Off Broadway premiere, which starts out promisingly but gets hijacked by a misjudged pivotal character who crushes both the comedy and the pathos.

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Backstage
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David
Sheward

December 19, 2011

he evening starts out with a bang: David Hyde Pierce is a ruthless book editor ripping apart a series of letters from his misbehaving daughter’s headmaster. No one is better at playing sharply intelligent characters flummoxed by their pesky feelings. Remember all those marvelous moments on "Frasier" when Pierce’s Niles was unable to use his keen wit to manage a situation involving emotions and hilariously lost his hard-won composure?

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December 19, 2011

"Close Up Space" is a conventional generational play about a rebellious teenager taking revenge on her tyrannical father. Scribe Molly Smith Metzler has given the material an absurdist comic veneer, and helmer Leigh Silverman has shrewdly cast against type, so there’s an edge of irony to the caricatured roles. Curiously, the coup casting of David Hyde Pierce flips the play’s hate message on its back. With the thesp channeling Bob Newhart, nasty dad comes off as long-suffering saint, the hapless victim of his daughter from hell.

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Associated Press
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Jennifer
Farrar

December 19, 2011

When a distant relationship between a father and daughter involves her hurling snowballs at him from a cooler, the imagery is funny but the symbolism seems heavy-handed.

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