After witnessing his father shoot his rival, the young Tommy Walker is lost in the universe, endlessly and obsessively staring into the mirror. An innate knack for pinball catapults him from reticent adolescent to celebrity savior.

Kid Victory, a hauntingly mesmerizing new musical, is the latest collaboration from the creators of Vineyard Theatre’s The Landing, composer John Kander (Cabaret, Chicago, The Scottsboro Boys) and acclaimed playwright Greg Pierce (Slowgirl, Her Requiem). Seventeen-year-old Luke returns to his small Kansas town after a wrenching one-year absence. As his friendship grows with the town misfit, Emily, his parents realize that in order to truly find their son, they must confront some unnerving truths about his disappearance. Directed by Liesl Tommy (Broadway’s Eclipsed, recipient of The Vineyard’s Susan Stroman Directing Award) in her Vineyard debut, Kid Victory is a riveting original musical about breaking out and breaking through. Kid Victory is a co-production with Signature Theatre in Arlington, Virginia.

An electrifying new play by one of the most exciting voices in American theater, Informed Consent is an “urgent, challenging, and of-the-moment” (Cleveland Plain Dealer) drama about one woman’s quest to answer the mysteries of science and her own life, inspired by a landmark court case between one of the country’s largest universities and a Native American tribe based in the Grand Canyon. In the past year alone, Deborah Zoe Laufer has had over 20 productions of her plays performed throughout the country and we are thrilled to present Informed Consent in its Off-Broadway Premiere in a co-production with Ensemble Studio Theatre as part of their Alfred P. Sloan Foundation Science & Technology Project, directed by Liesl Tommy (Appropriate, The Good Negro).

Written by Pulitzer Award and Tony Award-winning playwright, Academy Award-winning screenwriter, and theatre and film director John Patrick Shanley, the dreamer examines his pillow examines one couple’s attempt to find their way through the maze of love, lust, and art. Through three scenes, we follow Tommy and Donna, passionate on-again/off-again lovers. When Donna turns to her emotionally distant father for advice, a charged conversation leads him to insist that he talk to Tommy . . . to get him to marry her, or beat him up . . . leading to a tenuous detente.

Lady, Be Good! will send you back in time to the Roaring Twenties, when speakeasies and the Charleston were all the rage, and George and Ira Gershwin’s first hit collaboration ushered in the Golden Age of American musical comedy. The madcap 1924 musical tells the story of a penniless brother (Danny Gardner) and sister (Patti Murin) who crash a garden party in hopes of some quick nourishment. They resolve to marry for money, but love gets in the way, as it usually does. Before true love wins out, they encounter Mexican gangsters, crooked lawyers, wealthy socialites, and a song-and-dance man possessed by a “Fascinating Rhythm” (Tommy Tune).

When American tourists Tommy and Jeff get lost on vacation in Scotland they stumble into Brigadoon, a mythical village that appears for only one day every 100 years. No outsider can stay in Brigadoon unless they fall in love, and no resident can ever leave or the village will vanish forever. But when Tommy falls for a village girl, he is forced to choose between returning to the world that he knows—or taking a chance on life and love in the mysterious Brigadoon. Big, beautiful and beguiling, Brigadoon is a “ravishing” (The New Yorker) musical delight that will sweep you off your feet.

Honeymoon in Vegas tells the story of Jack Singer, a commitment-phobe who finally proposes to his girlfriend Betsy. The couple heads to Vegas to get hitched, but when the smooth talking gambler Tommy Korman falls head over heels for Betsy, he arranges for Jack to lose big in a poker game so he can claim the bride-to-be as his own girlfriend.

Tommy’s not a bad man, he’s getting by. Renting a run-down room in his uncle Maurice’s house, just about keeping his ex-wife and kids at arm’s length and rolling from one get-rich-quick scheme to the other with his pal Doc. Then one day he comes to the aid of Aimee, who’s not had it easy herself, struggling through life the only way she knows how. Their past won’t let go easily. But together there’s a glimmer of hope they could make something more of their lives. Something extraordinary. Perhaps.

An electric and darkly comic portrayal of a troubled working-class family in New Britain, CT. Travis visits his parents home to check on his brother Matt and his mother, only to find himself sucked into intractable conflicts, and a whole household on the verge of implosion. Blood From A Stone is a stunning and shattering debut by Tommy Nohilly.