Experience this groundbreaking musical like never before. The denizens of the Kit Kat Club have created a decadent sanctuary inside Broadway’s August Wilson Theatre, where artists and performers, misfits and outsiders rule the night. Step inside their world. This is Berlin. Relax. Loosen up. Be yourself.

Based on a book by Christopher Isherwood, Cabaret tells the story of a seedy nightclub in 1930’s Berlin where a young English performer strikes up a relationship with an American writer, all while a zealous Master of Ceremonies commands the action at the Kit Kat Klub.

Harold Prince is a legend in the American theatre – the acclaimed director and producer behind a long list of America’s most iconic musicals and the winner of a record-breaking 21 Tony Awards®. Now, he’s bringing together six decades of magical moments in a new musical event. The musical includes hits from such celebrated shows as West Side Story, A Funny Thing Happened on the Way to the Forum, Fiddler on the Roof, Cabaret, Evita, Company, Follies, A Little Night Music, Sweeney Todd, The Phantom of the Opera and more, in a tribute to Harold Prince’s Broadway career.

Kid Victory, a hauntingly mesmerizing new musical, is the latest collaboration from the creators of Vineyard Theatre’s The Landing, composer John Kander (Cabaret, Chicago, The Scottsboro Boys) and acclaimed playwright Greg Pierce (Slowgirl, Her Requiem). Seventeen-year-old Luke returns to his small Kansas town after a wrenching one-year absence. As his friendship grows with the town misfit, Emily, his parents realize that in order to truly find their son, they must confront some unnerving truths about his disappearance. Directed by Liesl Tommy (Broadway’s Eclipsed, recipient of The Vineyard’s Susan Stroman Directing Award) in her Vineyard debut, Kid Victory is a riveting original musical about breaking out and breaking through. Kid Victory is a co-production with Signature Theatre in Arlington, Virginia.

JUDITH: A PARTING FROM THE BODY – The story of Judith is one of the great tales of female heroism and sexuality that has inspired artists in nearly every generation. In Barker’s telling, the fatal encounter between Judith and Holofernes becomes a complex duel of seduction and deception and a compelling study of intense desire and the sometimes terrifying nature of love. VINEGAR TOM – A haunting play with seriously subversive intent – misogny, torture + songs. In a village in 17th century England three women are threatened with death for the practice of witchcraft. “Vinegar Tom” is a cabaret about hanging witches, with no witches.

A hidden theater lies within the Heart of Times Square, and the Glorifier of the American Girl, Florenz Ziegfeld, invites you to join his Follies for an evening of music, magic, mystery, mayhem, and of course, plenty of spirits. Audience members will be free to pursue their interests across an expansive environment exploring the wonders and the dangers of the Golden Age of Broadway. Reimagine Ziegfeld’s 1920’s extravaganza, “The Midnight Frolic,” with lavish showgirls, risque burlesque, thrilling aerialists and more. Choose your corruption at Montmartre’s Cabaret du Néant while a garish garcon regales you with tales of guillotines and deadly bacteria. Sleuth the luxury suite at Hotel Ritz Paris where Jack Pickford ”allegedly” tried to save his wife, Follies’ star Olive Thomas, after she drank poison. Take a gander at the glories and gutters that created the American Dream.

Iambic pentameter gets a surreal makeover in this pop-opera romp through Shakespeare’s sonnets from director Robert Wilson and composer Rufus Wainwright. The Bard’s enigmatic poems are pared down to 25 selections, set to everything from medieval German Minnesang to cabaret rock and performed by Bertolt Brecht’s historic Berliner Ensemble. As pallid, genderqueer dramatis personæ, the virtuosic performers smirk and sneer through expressionistic slapstick, while Wilson’s signature sculpting of time, light, and gesture evokes an absurdist dream.

Direct from acclaimed, sold-out engagements at the National Theatre of Scotland and the Lincoln Center Festival, Tony and Olivier Award winner ("Cabaret") and two-time Emmy nominee ("The Good Wife") Alan Cumming returns to Broadway this spring in a thrilling one-man interpretation of Shakespeare’s darkest and most powerful tragedy, Macbeth. This Macbeth is set in a clinical room deep within a dark psychiatric unit. Cumming is the lone patient, reliving the infamous story and inhabiting each role himself. Closed circuit television cameras watch the patient’s every move as the walls of the psychiatric ward come to life in a visually stunning multi-media theatrical experience of Shakespeare’s notorious tale of desire, ambition and the supernatural.

Based on the scandalous slice of War and Peace, The Great Comet of 1812 is a heartbreakingly gorgeous and wickedly sharp theatrical event. It is a performance like none other, blending romance, cabaret, comedy and vodka. Come experience the elegance and allure of Tsarist Russia, when lovers spoke by letter and the night sky was set ablaze by The Great Comet of 1812. Prepare yourself, the comet is coming.

The sexy, funny and dangerous world of La Soirée combines cabaret, new burlesque, circus sideshow and contemporary variety in one seductive setting. The show features a rotating cast of over 20 artists, with the acts varying from night to night. La Soirée brings the flashiness of vaudeville salons straight into the 21st century with ringside seats, bar service and posh tables.

Four-time Tony® Award nominee Raúl Esparza (Cabaret, Company) stars as Jonas Nightingale, an electrifying performer and rabble-rouser who’s planning to take the whole town for a ride. But when a small-town girl stops him in his tracks, this hustler may just discover something to believe in.

Following the success of last season’s Brief Encounter (now on Broadway at Studio 54), Kneehigh returns to St. Ann’s Warehouse with their seminal production of The Red Shoes, directed by Emma Rice and based on Hans Christian Andersen’s enduring folk tale. The Red Shoes is about a girl who cannot resist her red shoes; they make her dance with delight, spin with possibilities. But what happens when temptation becomes obsession? When she can’t stop dancing? When she can’t take them off? Surreal and sensuous, quirky and profound, bloody and bare – Kneehigh has created a fun and menacing cabaret — with muscular dancing, characteristic hi-jinks, and haunting overtones.

Visionary director Robert Wilson joins the world-renowned Berliner Ensemble for its New York debut in a bold new production of Bertolt Brecht and Kurt Weill’s The Threepenny Opera — a seminal work of 20th-century music theater. Presented at BAM in its US premiere, Wilson’s production recasts the story of Peachum, Polly, and Macheath in a bewitching setting informed equally by the striking designs of German Expressionist cinema and the shattering, seductive world of Weimar-era cabaret.

Celebrated cabaret singer Michael Feinstein and comic legend Dame Edna Everage present a singular and spectacular evening of musical entertainment.

Absinthe, the number one NYC summer event since 2006, will once again take New York by storm with a brand new line up of talent from the seediest and sexiest cabaret dens of the world.

Stephen Sondheim’s and Arthur Laurents’ experimental mid-‘60s satire of any and every target on the American cultural scene of the moment – conformity, psychology, race relations, greed, religion, politics – divided the critics, thrilled the emerging counter-culture, baffled the masses and closed quickly, becoming an instant legend that has grown over the years as Sondheim’s reputation has soared. The title song and “With So Little to Be Sure Of” have survived as cabaret classics, but the rarely heard complete score is a riot of jazzy, show-biz razzmatazz, waltzes, gospel numbers and Broadway pastiche, as full of variety and surprise as the show that gave it birth.