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April 26, 2017

“Bandstand,” an openhearted, indecisive new musical, wants you clapping your hands and clenching your fists, tapping your toes and blinking back tears. It is both a peppy celebration of can-do spirit and a more somber exploration of what American servicemen experienced when they marched home from World War II.

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April 26, 2017

The band in question is the one that Donny Novitski (Corey Cott of Broadway’s “Gigi”) puts together when he returns home to Cleveland, following his combat service in World War II. Once a young hotshot on the music scene, Donny finds, contrary to the title of the opening song, that it’s not “just like it was before.” There are no prime gigs for this composer-pianist vet, as he repeatedly hears the empty refrain from those intent on only looking forward: “But we thank you for your service.”

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April 26, 2017

From its title and marketing campaign, you’d think the new musical Bandstand would simply be an exuberant paean to the joys of big-band swing. But there’s a gloominess hanging over this thematically ambitious show, written by Broadway newcomers Richard Oberacker and Rob Taylor. And why shouldn’t there be, since its troubled main characters include six World War II veterans and the widow of a man killed in combat. Uneasily attempting to be simultaneously a feel-good, swinging musical and a serious depiction of post-traumatic stress, Bandstand is at war with itself.

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April 26, 2017

The resonant original musical Bandstand dances a delicate line between nostalgia and disillusion. What it seems to promise, and often delivers, is Broadway escapism: a tale of soldiers returning from World War II into a lively world of big-band music, boogie-woogie dancing and a booming American economy. Donny (the very engaging Corey Cott) assembles a music combo composed entirely of fellow veterans, hoping to win a competition in New York and earn a shot at Hollywood. Sounds like a happy old movie, right? But these soldiers, we soon learn, have trouble getting into the swing of things. Try though they may—through work, repression, copious drinking—they can’t shake off the horror of war.

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April 26, 2017

At a time when the future of federal arts funding is in serious jeopardy, the high-powered new Broadway musical “Bandstand” serves as an urgent testimonial to the healing and restorative power that the arts (in this case, an informal neighborhood jazz band) can have for those who have endured economic or emotional hardships.

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