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November 6, 2012

There may be no more startling image on a New York stage right now than the one greeting audiences at Playwrights Horizons when the lights go up on “The Whale,” an affecting new drama by Samuel D. Hunter that opened on Monday. On a soiled plaid couch visibly warping beneath him sits a bulbous behemoth of a man weighing in at more than 500 pounds. He will remain there — beached, to employ the author’s own metaphor — for much of the evening’s nearly two-hour running time, an image of the human body at its most grotesque, at least according to conventional notions of good looks, to say nothing of good health.

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