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March 1, 2015

If only NASA had existed in days of yore. Its scientists might have had coping strategies for the heroine of The Light Princess, who has an unusual fairy tale problem: weightlessness. This musical, performed at the New Victory Theater by the A.R.T. Institute at Harvard (a graduate program founded by the American Repertory Theater), has source material most Disney-saturated young New Yorkers won’t have heard of: a story by the Scottish Victorian George MacDonald. But that’s not the only reason to recommend it. Richly imagined and delightfully acted, this 70-minute production proves unexpected in almost every way. With a book by Lila Rose Kaplan, and a catchy pop score and lyrics by Mike Pettry, the show begins like many such narratives. A royal couple (Corey Sullivan and Steph Jack) turn to a witch, the queen’s vindictive sister, for a solution to their childlessness. The witch (Kristin Wetherington) delivers, but warns of a price. (“There always is,” she purrs.) The parents soon discover that their daughter lacks not just gravity, but gravitas: She feels no fear, sadness or love. If she can’t attain gravity by her 16th birthday, the curse will be permanent, and the witch will become queen.

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