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October 17, 2010

Looking to brush up your Esperanto? Make sure to grab a ticket for “The Language Archive,” a new play by Julia Cho that offers theatergoers a rare chance to acquire a phrase or two of that little-used international tongue.

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New York Magazine
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Scott
Brown

October 17, 2010

“Lately,” George (Matt Letscher) informs us, “I’ve been worried about my wife.” At this moment—the very first line of Julia Cho’s The Language Archive—we, the members of the audience, become instinctively worried about the play. Domestic milieu. Direct address. Bad signs, taken in tandem. Our worry deepens when George’s wife Mary (Heidi Schreck) speaks up: “George, I can hear you. I’m right here.” Oh, dear. When a play with a furrowed brow of a title goes cutely meta in its opening scene, trouble is most definitely on the wind.

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October 17, 2010

A linguist speaks several languages, including Esperanto — but he can’t communicate with his estranged wife. Oh, the irony!

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Ny Daily News
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Joe
Dziemianowicz

October 18, 2010

Exploring the intersections of language, love and loss in this Roundabout presentation, Cho strikes a couple of resonant chords. Words can fail us and everyone has their own way and difficulty in expressing what’s on their minds and in their hearts.

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October 18, 2010

Julia Cho’s problematic new play, The Language Archive, now at the Roundabout’s Laura Pels Theatre, focuses on George (Matt Lestcher), a linguist whose words fail him in his personal life. While it’s an intriguing premise, logic too often takes a backseat to language; the dialogue isn’t consistently engaging, and the rules of the story are murky.

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