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May 4, 2012

In the muddy darkness that blankets the stage in the opening minutes of “The Iceman Cometh” at the Goodman Theater here, human forms seem to be slumped on battered chairs and tables in the back room of a dingy saloon. Curled or contorted into lifeless poses, they resemble slumbering animals, some starved to the bone, others bloated and sluggish.

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