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March 26, 2023

Now comes a new special on the menu: the ravishingly sung, deeply emotional and strangely hilarious “Sweeney” revival that opened on Sunday at the Lunt-Fontanne Theater. Starring Josh Groban and Annaleigh Ashford, and directed by Thomas Kail, it has a rictus on its face and a scar in its heart.

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March 26, 2023

Ultimately, each critique of this formidable production’s faults is a drop in a bucket compared to its victories. Somehow, the hellish world of “Sweeney Todd” is a heavenly place for any musical theater lover to visit.

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March 26, 2023

Kail’s production has an austere severity that’s suited to serial killings but also makes it feel coolly remote.

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March 26, 2023

The superb score, which melds period genres (operetta, music hall) with modern influences (notably that of Hitchcock composer Bernard Hermann), is the main attraction, and it comes through gorgeously. Powerfully sung and played in Jonathan Tunick’s original orchestrations. Sondheim’s Grand Guignol masterwork sounds as grand here as it deserves to. Dig in.

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March 26, 2023

A prodigious theatrical event that aims for greatness and achieves it, this revival of the Stephen Sondheim-Hugh Wheeler masterpiece is not to be missed.

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March 26, 2023

A fully staged “Sweeney Todd” opened Sunday at Broadway’s Lunt-Fontanne Theatre, and beyond the aforementioned concert version, it is the best sung version of the Stephen Sondheim and Hugh Wheeler musical I’ve ever heard – and that includes both casts of the original 1979 production.

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March 26, 2023

Our eyes don’t normally well up with tears during “Sweeney Todd: The Demon Barber of Fleet Street,” Stephen Sondheim’s horror-musical in which throats are gruesomely slashed and cannibalism is positively hilarious. But minutes into the new Broadway revival starring Josh Groban and Annaleigh Ashford that opened Sunday night at the Lunt-Fontanne Theatre, I was already verklempt.

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New York Daily News
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Chris
Jones

March 26, 2023

At once funny, scary and disarmingly moving, this must-see production is content to peel back any cobwebs or artifice and let Stephen Sondheim and Hugh Wheeler’s Gothic revenge tragedy of a musical howl anew with the agony of human injustice and the ameliorating constancy of love.

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March 26, 2023

In that closing moment—like much of the show, thrilling and arch all at once—an exquisite production outdid itself.

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March 26, 2023

When Sweeney refers to London as a “hole in the world like a great black pit,” you’re there with him in the pressurized depths where hungry and murderous creatures have evolved.

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Entertainment Weekly
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Emlyn
Travis

March 26, 2023

Now, the legend is set to haunt Broadway’s Lunt-Fontanne Theatre in a riveting revival that features brilliant stage direction from Thomas Kail, a thunderous 26-piece orchestra, and a star-studded cast that succeeds in bringing both big laughs and serious scares.

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New York Theatre Guide
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Joe
Dziemianowicz

March 26, 2023

Sweeney Todd is back on Broadway, and there’s much to savor in this musical revival starring Josh Groban and Annaleigh Ashford. Stephen Sondheim’s sublime score sounds deliciously lush as played by the 26-piece orchestra, the singing is uniformly excellent, and Hugh Wheeler’s morbidly gripping story unfolds in crisp fashion.

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Wall Street Journal
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Charles
Isherwood

March 26, 2023

The new Broadway revival of “Sweeney Todd,” the ghoulish marvel of a musical comedy that may represent the greatest achievement of composer and lyricist Stephen Sondheim, reaches a deliriously mad peak just when it should, as the bloodlust of the title character, played by the pop phenomenon Josh Groban, unites with the desperate pragmatism of the pie-making Mrs. Lovett, embodied with hilarious zest by Annaleigh Ashford.

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March 26, 2023

It’s a breathtaking opening sequence for the big Broadway revival of Stephen Sondheim and Hugh Wheeler’s Sweeney Todd: The Demon Barber of Fleet StreetIt perfectly sets the tone for a production that envelops the audience in its immense darkness.

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