Stereophonic
Opening Night: April 19, 2024
Theater: Golden Theatre
Website: stereophonicplay.com
Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup — or their breakthrough.
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April 19, 2024
A fly-on-the-wall study of how people both need and viciously destroy each other, “Stereophonic” is a fiery family drama, as electrifying as any since “Who’s Afraid of Virginia Woolf?”
READ THE REVIEWApril 20, 2024
Sometimes, a song is so good you want to live in it. You want to nestle into its melodies, unravel the chords holding it up and more than anything, wander in the mind fields of the people who created it. David Adjmi’s “Stereophonic” is the play that sparks this very desire.
READ THE REVIEWApril 19, 2024
But it’s the thing Adjmi conjures up at the end of Act One that makes Stereophonic such a meaningful and exceptional piece of work: In its bones, it’s a love song, bittersweet and wounded and ferociously loyal, to the act of making art — specifically, art that requires that most exhausting, infuriating, transcendent element: collaboration.
READ THE REVIEWApril 19, 2024
Audiences may feel the same way after seeing this work of theatrical virtuosity, realizing that all the tiny details, wild rhythms, and clever hooks presented on stage have added up to a work that is brave, purposeful, and rich.
READ THE REVIEWApril 19, 2024
Some fans of the play have wondered if it could work as well on a larger stage, but that question has a happy answer: Daniel Aukin’s superb production navigates the change without missing a beat. The jam has been preserved.
READ THE REVIEWApril 19, 2024
Adjmi captures that claustrophobia and inability to communicate, making his “Stereophonic” one of the very best plays to open last year Off Broadway and now this season on Broadway.
READ THE REVIEWChris
Jones
April 19, 2024
What a brilliant piece of must-see Broadway. It’s Chekhovian, babe.
READ THE REVIEWApril 19, 2024
For three glorious hours, Stereophonic drops its audience into a unique agony: the pursuit of artistic perfection. David Adjimi’s astounding new work, itself near-perfect, captures the wondrous highs and excruciating lows of the creative process with a hilarious, painstaking precision. You’ll want to live in this play forever.
READ THE REVIEWDalton
Ross
April 19, 2024
It’s a riveting, painful, funny, intense, toe-tapping journey, and the end result can best be described as solid gold.
READ THE REVIEWApril 19, 2024
Arguably the best new American drama since Annie Baker’s The Flick, David Adjmi’s Stereophonic shares both a hyper-naturalistic style and a sprawling three-hour running time with that 2013 masterwork.
READ THE REVIEWApril 19, 2024
With unerring direction by Daniel Aukin and performed by a miraculous cast that so fully embodies Fleetwoo… I mean, the unnamed band at the heart of Stereophonic, the play is like the answer to a question you never knew you needed answered.
READ THE REVIEWApril 19, 2024
In short, Stereophonic is still as much of a masterpiece as it was six months ago, and it’s deservedly poised to become the big hit of the year.
READ THE REVIEWAllison
Considine
April 19, 2024
The band is back together on Broadway. David Adjmi’s Stereophonic had a critically acclaimed, sold-out run off Broadway in fall 2023 at Playwrights Horizons, and now it’s hitting all the right notes at the Golden Theatre.
READ THE REVIEWApril 19, 2024
Still, “Stereophonic,” directed by Daniel Aukin, is undeniably transportive, and it’s a pleasure to be immersed in this creatively robust decade for a while.
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