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September 23, 2010

Don’t ask me why two of the three characters in Gregory S. Moss’s play “Orange, Hat & Grace” are called Orange and Hat. I haven’t a clue, and I suspect they don’t either. More to the point, I cannot fathom why this dreary hillbilly romance is onstage at Soho Rep, one of the city’s more prestigious incubators of avant-garde theater.

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September 23, 2010

The land is dying in the strange, backwoods world of Gregory S. Moss’ Orange, Hat & Grace, now receiving its world premiere at Soho Rep. The playwright fills the promising, but uneven work with symbols and portents such as this; yet interestingly enough, the play is at its best when it instead focuses on character relationships.

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September 23, 2010

The suitor couldn’t be more urbane — at least in his speech. "I am wooing you," the disheveled man says to the weathered, older woman. "I am pitching woo."

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Ny Theatre
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Heather J.
Violanti

September 21, 2010

"I wish I knew what to call them," says Hat one moment late into Orange, Hat and Grace, as he laments each dead bird he’s found. Nature is dying, and he’s at a loss for words.

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