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December 4, 2017

“Hundred Days,” the luminous musical memoir by the Bengsons and Sarah Gancher, is an everyday horror story with a very provisional happy ending — like so many chapters of human existence. This poignant 90-minute show, which opened on Monday night at the New York Theater Workshop, is a response to one ineradicable and devastating fact of life.

To wit: Whether by choice, chance or — ultimately and unavoidably — death, you will be separated from the person you love most.

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