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June 14, 2012

During the heyday of Studio 54 it was probably not unusual for patrons to see visions of strange beasts roaming the dance floor. And didn’t Bianca Jagger once make an appearance on a white horse?

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Associated Press
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Mark
Kennedy

June 14, 2012

Much more than a 6-foot rabbit is invisible at the new revival of "Harvey" on Broadway. So is any real reason to see it.

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Entertainment Weekly
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Thom
Geier

June 14, 2012

Is Jim Parsons the next Jimmy Stewart? I wouldn’t have made the connection before seeing the uneven new Broadway revival of Mary Chase’s Harvey, which runs through Aug. 5 at the Roundabout Theatre Company’s Studio 54. But like Stewart, the two-time Emmy-winning star of The Big Bang Theory is a rail-thin everyman who projects both intelligence and fundamental decency. He’s perfectly suited to reprise Stewart’s role from the 1950 film version of Harvey, about a seemingly ordinary guy whose best friend and constant companion is a six-foot-three-inch rabbit named Harvey that most of the world (including the audience) cannot see.

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June 14, 2012

With fatigue from the Tony Awards and the glut of April openings still lingering, it’s a pleasure to report that Harvey, the first entry of the 2012-13 Broadway season is an unassuming charmer. Best known for the 1950 film adaptation that starred James Stewart, Mary Chase’s Pulitzer-winning 1944 comedy is a delectable mid-century chestnut with an idiosyncratic personality that still sparkles. And in Scott Ellis’ superbly cast revival for Roundabout Theatre Company, the gentle farce provides an ideal vehicle for the gifted Jim Parsons.

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June 14, 2012

Comedy can be deadly. Just a few directorial misjudgments and uh-oh, sudden death: forced laughs, desperate thesps, and an aud growing surlier by the minute. Something like that has befallen the Roundabout’s revival of "Harvey," Mary Chase’s 1944 Pulitzer Prize-winning play about a lovable man (memorably played by James Stewart in the 1951 movie) whose best friend is a 6-foot-tall invisible rabbit. Jim Parsons aims to charm the pants off us by giving Elwood P. Dowd an air of sweet serenity. But the vacancy behind his bland facial expressions has a chilling effect.

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