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July 13, 2015

Now that the inaugural fashion week for men is underway in New York, what better time to check out the transformative headgear on such seductive display at the Gerald W. Lynch Theater. For there is surely no better or more thrilling example of apparel that makes and unmakes a man than this gold, spiky, circular creation, which might have been designed by Alexander McQueen in a sadomasochistic mood. First seen perched atop a human skull, it is both the glittering centerpiece and fatal catalyst in the Ireland-based Druid Theater Company’s enthralling marathon production of four Shakespeare history plays, which runs through Sunday as part of the Lincoln Center Festival 2015. This, you see, is the crown of England, and — as three monumental men learn to their sorrow — it is as much a thing of pain as of beauty. Under the unceasingly fertile direction of Garry Hynes, “DruidShakespeare: The History Plays” presents an immemorial totem of power as an object that hypnotizes and irrevocably changes its wearers. Those who put it on find themselves subject to strange, deforming symptoms, such as stigmata-like open wounds on the forehead or rashes that ravage the face. Still, they hold onto it with the poisoned, proprietary monomania of Gollum with his precious piece of jewelry in “The Lord of the Rings.”

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