READ THE REVIEWS:

November 11, 2024

Though subtitled “The Louis Armstrong Musical,” the show, with a book by Aurin Squire, spends too little time exploring its subject’s interior life while plumping for his greatness as if the point were in doubt.

READ THE REVIEW

November 12, 2024

“A Wonderful World” feels less like a story about Louis Armstrong the man, but a concert of the discography and a theatrical resurrection of the pageantry he left behind.

READ THE REVIEW

November 11, 2024

Starring as Louis, Tony Award winner Iglehart is mesmerizing, becoming the physical embodiment of the trumpeter from his gravelly voice to his bubbly charisma.

READ THE REVIEW

November 11, 2024

The shapeless and meandering new show “A Wonderful World: The Louis Armstrong Musical” opened Monday at Studio 54, and we can only be grateful that its creators left out the jazz legend’s childhood in New Orleans.

READ THE REVIEW

November 11, 2024

The women are so barely drawn that we get no sense of who they are or why we should care about them.

READ THE REVIEW

November 11, 2024

Wonderful World is too expansive in chronological scope to delve too deeply into the crucial question of what made Armstrong such an incomparable figure in the history of American music, but with Iglehart and a fine supporting cast of excellent singer-actresses portraying Armstrong’s four wives… the musical rarely gives us enough time to ponder what’s being left out. What we’re seeing on stage is too entertaining.

READ THE REVIEW

November 11, 2024

In the case of A Wonderful World, Louis Armstrong comes marching into Broadway aboard an overstuffed bio-musical. The decision has been made to play all the expected notes at once, several times over.

READ THE REVIEW

November 11, 2024

At the start of the new biomusical A Wonderful World, each of Armstrong’s four wives calls him by a different name, as though to suggest the interior multitudes of a performer who, in public, always wore a famously broad smile—partly as an invitation to joy but partly as a mask of comedy. The musical offers a pleasing depiction of that joy and that mask, if not of those multitudes.

READ THE REVIEW
New York Sun
BigThumbs_DOWN

Elysa
Gardner

November 11, 2024

Alas, as depicted in “A Wonderful World,” the late jazz giant comes across as puzzlingly smaller than life, or smaller than Armstrong’s life, at least. Mr. Iglehart, whose sunny charisma would seem naturally suited to the part, is not to blame; the main fault lies, as it often does in jukebox hagiographies, with the book.

READ THE REVIEW
New York Stage Review
BigThumbs_UP

Roma
Torre

November 11, 2024

As bio-musicals go, A Wonderful World doesn’t break any new ground, and the book by Aurin Squire is pretty much by-the-numbers, hitting most of the highs and lows spanning 70 years in Armstrong’s storied career. But as conceived by Andrew Delaplaine along with Christopher Renshaw (who also directed), there’s so much charm, artistry and buoyant entertainment here that we are riveted for the entirety of the show’s two and a half hour running time.

READ THE REVIEW
New York Stage Review
BigThumbs_UP

David
Finkle

November 11, 2024

James Monroe Inglehart is convincingly proving that Louis Armstrong is, no question, imitable.

READ THE REVIEW

November 11, 2024

Come for the music in “A Wonderful World: The Louis Armstrong Musical,” the Satchmo show that opened Monday night at Studio 54. As for the throaty crooner’s life story, read a book instead. What’s on Broadway is largely a deflating and cobbled-together wife story that fails to capture Armstrong, the artist.

READ THE REVIEW

November 11, 2024

In the Wikipedia age, information is not what audiences want so much as a point of view and, well, lots of songs and music.  We still could do with less history and more time with Louis and his band.

READ THE REVIEW
New York Theatre Guide
BigThumbs_UP

Kyle
Turner

November 11, 2024

Book writer Aurin Squire and conceivers Andrew Delaplaine and Christopher Renshaw toggle between conventional bio-musical choices and more challenging ones, keeping A Wonderful World lively and interesting.

READ THE REVIEW