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March 12, 2001

Here’s a seeming paradox. ”A Class Act,” a musical based on the life and the songs of an unsung songwriter (something of a paradox in itself) made its first appearance last fall on the tiny second stage of the Manhattan Theater Club. Befitting its location, it was an almost bare-bones show, and it had its charms. Its major flaw was in its miscalibrated lionization of its subject, Edward Kleban, who was best known as the lyricist of ”A Chorus Line” but who never realized his ambition to write both the words and music for a Broadway show.

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