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November 27, 2022

Against all expectations for a behind-the-scenes musical drama, KPOP’s storytelling is as sophisticated as its high-octane performances.

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November 27, 2022

In its remaking for Broadway I wish “KPOP” had preserved more moments like that: moments that allow you to consider what the excitement of K-pop (for those who feel it) and the expressiveness of American musical theater (likewise) can profitably say to each other. Both have their fans and no doubt their glories, as well as their limitations. But it seems to me that in introducing the two, a good place to have met would have been, well, halfway. “KPOP” still has far to go to get there.

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November 27, 2022

There is an ecstatic upbeat tempo to “KPOP.” Eighteen of the aforementioned 22-person ensemble makes their Broadway debut here, and even the worst of scripts cannot stop them from having a great time.

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November 27, 2022

K-pop, the genre, is as contagious and deeply human as it is cold and calculating. “KPOP,” the musical, understands that, bringing to Broadway a rousing portrait of the minutiae of the industry, from its personal struggles and vexing complexities to its infectious musicality.

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November 27, 2022

Like the genre it celebrates, “KPOP” works best when you let yourself get caught up in the sensation of the music and the precision dance moves — and try not to think too deeply.

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November 27, 2022

In its current form, KPOP feels like a concert at its heart, rather than a musical with an engrossing story, featuring characters (apart from Ruby) who we do not really see or feel experiencing significant challenges or moments of change, despite the gravity of what they tell us.

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November 27, 2022

KPOP The Musical is the most exciting, interesting, and alive show on Broadway right now. In a season of half-baked adaptations and Golden Age revival attempts, this exhilarating musical is a reminder of the importance of new works and contemporary stories.

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November 27, 2022

We know that Ruby must sign his paycheck (or not) in the end. The flaws of the script have become more obvious under the bright lights of Broadway. Musically, however, KPOP has never sounded better.

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New York Theatre Guide
BigThumbs_MEH

Joe
Dziemianowicz

November 27, 2022

The production makes amazing use of Circle in the Square’s thrust stage and boasts enough dazzle and energy to power up two Broadway shows. On the other hand, KPOP, written by Jason Kim and directed by Teddy Bergman, has scarcely enough compelling substance to sustain its own first act. The plot retraces numerous behind-the-scenes tales about the perils, prices, and (good luck!) payoffs of showbiz.

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