English
Opening Night: February 22, 2022
Theater: Linda Gross Theater
Website: atlantictheater.org
Two words set in motion award-winning playwright Sanaz Toossi’s intricate and profound New York debut: “English Only.” This is the mantra that rules one classroom in Iran, where four adult students are preparing for the TOEFL — the Test of English as a Foreign Language. Chasing fluency through a maze of word games, listening exercises, and show-and-tell sessions, they hope that one day, English will make them whole. But it might be splitting them each in half.
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February 22, 2022
How our mother tongue gives us voice yet limits our world — and how a new tongue expands that world yet may strangle our voice — is the subject of “English,” a rich new play by Sanaz Toossi that opened on Tuesday at the Linda Gross Theater. Both contemplative and comic, it nails every opportunity for big laughs as its English-learning characters struggle with accents and idioms. But the laughter provides cover for the deeper idea that their struggle is not just linguistic.
READ THE REVIEWFebruary 22, 2022
The idea is to put us in the uncomfortable position of the character(s). But we’re not in Italy, we’re not in Iran. We’re in a theater, and the feeling communicated is “I could be home watching ‘Jame Jam’ instead.”
READ THE REVIEWFebruary 22, 2022
Neshat delivers a fascinatingly inscrutable performance as Marjan, a woman who lived in England for a decade, but made the decision to move back to Iran. Contentment layers over regret as Marjan counts her blessings while silently wondering, what if? As in life, there are no clear-cut lessons in English — and that makes it well worth your time.
READ THE REVIEWFebruary 22, 2022
Sanaz Toossi’s moving new play, English, probes this problem with a sophisticated understanding of the failures of language, and of our own failures in relying so deeply on it for communication. Staged by the Atlantic Theater Company, in a co-production with Roundabout, the one-act work is a masterfully executed look at the impossibility of translating humanity through imperfect means.
READ THE REVIEWFebruary 22, 2022
Over the course of the play, under Knud Adams’ careful direction, English reveals itself to be an exquisitely crafted production. You get to know a quintet of characters, each complex in different ways, with practically nothing in common save for their shared goal of passing the TOEFL
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