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April 19, 2017

Regina Giddens is a flower of Southern womanhood. That flower is a Venus flytrap. In “The Little Foxes,” Manhattan Theater Club’s nimble, exhilarating revival of Lillian Hellman’s 1939 drama, Regina coerces, deceives, manipulates and maybe even murders. How graceful she is, how charming. And how carnivorous.

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April 19, 2017

The nasty, tasty snakepit that is Lillian Hellman’s The Little Foxes has been irresistible to actors and audiences since Tallulah Bankhead chewed the Southern scenery in the play’s 1939 Broadway premiere and Bette Davis did the same in the 1941 film. Many a star has pumped the bodice of queen bitch Regina Giddins – including no less a nova than Elizabeth Taylor, entirely credible in 1981. Regina will do whatever it takes to inherit the Alabama plantation that she and her greedy red-neck brothers have married into.

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Linda
Winer

April 19, 2017

The next time anyone challenges the need to have nonprofit Broadway houses alongside the commercial theaters, I’m going to shout out, “The Little Foxes.”

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April 19, 2017

In Manhattan Theatre Club’s latest offering, a lawless family schemes and backstabs in the ruthless pursuit of wealth and power. Surprisingly, the setting is not the White House: It’s Lillian Hellman’s 1939 potboiler, in which Laura Linney and Cynthia Nixon alternate performances as sisters-in-law Regina Giddens (lusty and rapacious) and Birdie Hubbard (cowed and kindly).

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April 19, 2017

Given a choice, what kind of turn-of-the-century Southern belle would you rather play: the delicate wife of noble birth who is cruelly mistreated by her husband and turns to drink for comfort, or the steely and self-centered sister-in-law who will resort to anything to get what she wants, even refusing to lift a finger as her husband suffers a painful death?

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