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Broadway World
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Michael
Dale

November 3, 2013

Though Duke Ellington and his orchestra had further uptown destinations in mind when they advised nightlife-seeking denizens to take the A train, Broadway patrons seeking a luscious sampler of the music and styles that flourished in venues like The Cotton Club, The Savoy and The Sugar Cane during that golden era known as The Harlem Renaissance needn’t travel further north than 47th Street, where the Brooks Atkinson Theatre is jumpin’, stompin’ and downright roof raisin’ with the sounds of Ellington and his contemporaries in a dazzling showcase of talent christened After Midnight.

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Associated Press
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Mark
Kennedy

November 3, 2013

There are few things that bring smiles to even the most jaded faces — balloons, blaring trumpets and tap dancers. A new Broadway revue has two — no, make that all three — so no wonder it leaves you feeling lighter than air.

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November 3, 2013

The paramount requirement for any revue celebrating the Harlem Renaissance of the 1920s and ‘30s is stated right there in the Duke Ellington standard, “It Don’t Mean a Thing (If It Ain’t Got That Swing).” And After Midnight has it in abundance, courtesy of a superlative jazz orchestra handpicked by producer Wynton Marsalis from among the best in the business. Ninety minutes of exuberantly entertaining song and dance, this is a show that renders it impossible to keep your toes from tapping. Up first in a series of rotating special guest stars, Fantasia Barrino with her luscious vocals sets the bar high.

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Nbc New York
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Robert
Kahn

November 3, 2013

After two sold-out runs at City Center, "Cotton Club Parade" has shed its original name (licensing issues!) and transferred to Broadway. Now with the smokier, more evocative title “After Midnight,” the moody homage to Duke Ellington opened Sunday at the Brooks Atkinson Theatre.

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November 3, 2013

The band takes the last bow in “After Midnight,” the sparkling new jazz revue that opened at the Brooks Atkinson Theater on Sunday night. This may be unusual for Broadway, where the players are normally in the pit — and the music often sounds as if it could have been piped in from Hong Kong — but it’s entirely as it should be.

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Entertainment Weekly
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Thom
Geier

November 5, 2013

There are showstoppers aplenty in the ebullient new musical revue After Midnight, a celebration of classic jazz and swing numbers with some of the most astounding and spirited choreography currently on Broadway.

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Usa Today
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Elysa
Gardner

November 3, 2013

NEW YORK — It is a sight not seen that often on a Broadway stage: the face of a musician, savoring an instrumental solo or a moment of camaraderie with other orchestra members.

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