READ THE REVIEWS:

June 20, 2012

By the end of “The Bad and the Better,” Derek Ahonen’s red-herring-stuffed panorama of dime-store pulp, nearly every one of the 26 cast members gets to do at least one of the following: A. Enter a room looking furtively over his or her shoulder. B. Slap or get slapped in the face immediately before making out with said slapper/slapee. C. Die.

READ THE REVIEW
Backstage
BigThumbs_UP

Suzy
Evans

June 20, 2012

Nobody produces plays with big casts anymore," one of the characters in Derek Ahonen’s "The Bad and The Better" explains. And with a 26-person ensemble, this detective thriller about anarchists and the people who control them is a rarity in more ways than just in the number of actors it employs. Although slightly unwieldy, particularly in the second act, Ahonen’s play is one of few with a perceptive take on current events that doesn’t come across as overtly political or agenda pushing. Because everyone has secrets, and even the people dance protesting—yes, staging a demonstration by dancing—the corporate regime have a secret regime of their own.

READ THE REVIEW

June 19, 2012

Whether you like them or not, the Amoralists’ gritty shows are like no other — thanks mostly to resident playwright Derek Ahonen’s distinctive mix of hyper-realism and satire, brash violence and unexpected tenderness. He also has a flair for left-field asides and surreal non sequiturs. “You’ve a mouth like lavender,” is a gruff detective’s idea of a compliment in Ahonen’s latest pulp fiction, “The Bad and the Better,” which just opened off-Broadway.

READ THE REVIEW
Theatre Is Easy
BigThumbs_UP

Zak
Risinger

June 28, 2012

The super hip downtown theatre troupe, The Amoralists, move way up town to the bright lights of 42nd street to present the world premiere of Derek Ahonen’s The Bad and the Better. This gritty detective film noir employs a cast of twenty-six fearless actors under the concise direction of Obie Award winner Daniel Aukin, who recently had a huge critical hit with 4000 miles at Lincoln Center, to bring the audience on a trip through dark alleyways, secret meeting halls, corrupt corporations, dive bars with broken dreams, and every place in between.

READ THE REVIEW

June 20, 2012

It’s tempting to say the title of Derek Ahonen’s new play, The Bad and the Better, now being presented by the Amoralists at the Peter Jay Sharp Theater, refers to the varying quality of the show. Clunky dialogue abounds throughout this 150-minute production, but if you push past it a sprawling and somewhat compelling story emerges.

READ THE REVIEW