Photo from the show Pink border doodle

These 2 Bandits Are No Bonnie and Clyde

A review of Wanted by Robert Hofler | November 8, 2026

Beyond the show’s two maids, the most riveting aspect of “Wanted” is the sly way in which Pfeiffer’s Mary goes from real gold digger to committed lover with her follow-up song, “The Way I Am.” With these two back-to-back hits, Ross Baum delivers beguiling melodies that are a kind of elevated recitative. Elsewhere, this Broadway-debutant composer comes down with a bad case of anthem-itis. Several songs begin small and promisingly, but after a stanza or two, the tunes inevitably go big and quickly crescendo into deafening. It’s difficult to tell if the audience is applauding the performer or the sound design by Gareth Owens.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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