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A Rather Excellent WAITING FOR GODOT

A review of Waiting For Godot by Juan A. Ramirez | September 28, 2025

Their finely tuned performances are unshowy and completely in service of the production. They’re neither vaudevillians clowning for our enjoyment nor thespians hamming up each ponderous line. Reeves and Winters’ work is quiet and grounded entirely in their genuine chemistry. When they share a quick hug at the top of Act 2, after a whole day of waiting has come and gone fruitlessly, it reveals a profound knowledge that they can find comfort in each other.

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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating

Ran Xia | December 20, 2022

One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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