THE SHARK IS BROKEN Bites Mechanically — Review
Ian Shaw’s The Shark Is Broken, a play with an impossibly successful track record from Edinburgh Fringe to West End hit to, now, Broadway’s Golden Theatre, attempts to pry its mandibles open and serve it two ways: as a father-son memoir and exorcism, and as a look into its notoriously grueling production. It bares its teeth at the former; eats the fat of the latter.
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