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March 27, 2016

You’ll recognize Masha right away. True, she’s wearing standard-issue ballet gear like everybody else. But her tutu is black. And it’s not long — shortly after the audience is encouraged to help sing a curtain-raising rendition of the Boomtown Rats’ “I Don’t Like Mondays” — before she clinches the identification with her immortal signature line: “I’m in mourning for my life.” Otherwise, it may take you a while to figure out which unhappy Chekhov character is which in “The Seagull and Other Birds,” wherein the experimental Irish troupe Pan Pan turns one of modern drama’s great seminal works upside down, inside out and every which way but loose. For one thing, the thwarted souls of Chekhov’s “The Seagull” are never quite themselves in this giddy act of theatrical implosion, which opened this weekend at the Abrons Arts Center. They may often speak the familiar dialogue of those well-known anguished Russians Arkadina, Konstantin, Nina, Sorin and Trigorin (as well as mopey Masha), albeit with a fresh peppering of Anglo-Saxon obscenities.

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