Gilt or Guilt? The Queen of Versailles Can’t Decide
There is a two-hour-and-40-minute luxury-car crash happening at the St. James Theatre. If I were the litigious type, I’d be trying to figure out how to sue for whiplash. Instead, here I am staggering homewards, still trying to twist my head back into position after The Queen of Versailles. If you’re morbidly curious about the experience, you could try for tickets to the new musical by Stephen Schwartz and Lindsey Ferrentino, with Kristin Chenoweth glittering relentlessly at its center. Or you could save the money and have someone slap you back and forth with a large salmon.
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One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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