Review: A New ‘Great Gatsby’ Leads With Comedy and Romance
But this “Great Gatsby,” which is not terribly bothered, either, with the moral shadings of its title character’s rise and fall, is principally interested in a good time. When Nick utters the novel’s sober final line, about “boats against the current,” the words have no heft. An ensemble of dancers is upstaging him anyway, wanting to give the audience one last moment at the party.
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Pope/Bettany Elevate ‘The Collaboration’ Into Art Worth Contemplating
One of them paved a path of his own ascending to artistic godhood by glorifying the mundane; the other painted SAMO (meaning the Same Old Sh*t) criticizing the very idea of repetition. One of them broke down the wall between art and business; for the other, walls didn’t mean a thing. One saw beauty, immortality, […]
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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’
Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]
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