Photo from the show Pink border doodle

‘The Collaboration’ Review: A Basquiat-Warhol Bromance in Bloom

A review of The Collaboration by Laura Collins-Hughes | December 20, 2022

Presented by Manhattan Theater Club and the Young Vic Theater, this transfer from London is considerably less curious about whatever lies behind each man’s public facade. But Kwame Kwei-Armah’s production would like you to think it’s lifting the curtain on exactly that as it tells the early-80s New York story of Warhol and Basquiat’s work on those 16 canvases, and the friendship that took root between them.

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Complex Men and Caricatures of Women Are Caught ‘Between Riverside and Crazy’

Bedatri D.Choudhury | December 19, 2022

Walter “Pops” Washington, as he self-describes in Stephen Adly Guirgis’ Pulitzer-winning play Between Riverside and Crazy, is “a flesh and blood, pee standing up, registered Republican.” He is also a litigious former cop caught within the crossroads of bureaucracy, racism, life as a widower, and a fast-gentrifying Riverside Drive. He also happens to be Black. […]

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Slickly, Albeit Slowly, ‘Some Like It Hot’, Dances Towards Thoughtful Representation Onstage

Bedatri D.Choudhury | December 11, 2022

If there was an altar to American desirability and mystique, very few people would hold as much space in it as Marilyn Monroe. We feel possessive about her legacy, in a way that drives us to collectively defend her when a TV show fetishizes her life’s traumas. Monroe, in many different ways, signifies America and […]

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