Photo from the show Pink border doodle

Music haunts Prospero’s Island in Karin Coonrod and Elizabeth Swados’ adaptation of Shakespeare’s fantastical play

A review of Tempest by Zachary Stewart | October 14, 2014

If you close your eyes during Karin Coonrod’s Tempest at La MaMa’s Ellen Stewart Theatre, you can hear magic all around you. Maintaining much of the Bard’s original text, Coonrod has enlisted composer Elizabeth Swados (Runaways) to create original music and lyrics for Shakespeare’s tale of sorcery, revenge, and romance. Although many of the song-and-dance numbers feel shoehorned in, the ambient sounds with which Coonrod and Swados underscore the play make for a very intimate theatrical experience. Prospero (Reg E. Cathey), the rightful Duke of Milan, has been overthrown by his treacherous brother Antonio (Earl Baker Jr). While in exile, Prospero uses magic to rule over an enchanted island. He is joined by his daughter Miranda (Miriam A. Hyman) and a magical servant named Ariel (Joseph Harrington). As Antonio returns from a wedding in Tunis, Prospero raises a storm that causes him to be shipwrecked on the island, along with the King of Naples, Alonso (Angus Hepburn) and his slimy brother, Sebastian (Sorab Wadia). Alonso’s handsome son Ferdinand (Christopher McLinden) is also with them, and immediately catches the eye of Miranda. Prospero wants revenge, but Miranda wants romance.