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‘Suffs’ Review: Young, Scrappy and Hungry for the Right to Vote

A review of Suffs by Maya Phillips | April 6, 2022

For all the work this show does to illuminate the successes — and failures — of the women’s rights movement, and the constantly evolving nature of our politics, it focuses so much energy on seeming as timely as possible. But, as the suffs learn, movements transform; our government leaders change, as do the demands of the people on the picket line. It’s a lesson the musical should take to heart: You can’t live in the past, present and future of our nation’s politics all at once — at least not without losing your way.

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While Looking at History “Suffs” Elects Didacticism Over Adventurousness

Juan Michael Porter II | April 6, 2022

Shaina Taub has spent eight years researching and condensing the adventures of women’s rights activist Alice Paul and her cronies into a manageable tale. Despite the comparatively concise final product, at nearly three hours in runtime, Suffs (shorthand for women who fought to win the right to vote) still feels too long to absorb in […]

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In ‘Take Me Out’ White Agency and Ableism Have a Ball

Juan Michael Porter II | April 4, 2022

Imagine a world where a superstar baseball player on par with Derek Jeter decides to disclose that he is gay. In 2003, Richard Greenberg did precisely that with Take Me Out and received the Tony Award for Best Play for his regressive efforts. Almost two decades later, his ableist and gay-caricature-laden affair has returned to […]

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